The choice to utilize a square format for each image is a methodological decision, aimed at imposing a geometric constraint to frame the otherwise erratic subject matter. This deliberate structuring device serves to juxtapose the organic disorder of the objects with the rigid confines of the frame, thereby encouraging a reevaluation of the inherent organization within the chaotic. The visual experience of engaging with these square frames evokes a phenomenological response, akin to the sensation of being drawn into a gravitational singularity. There is a palpable suspension within the visual turmoil, where the chaotic assemblage transforms into an entrancing tableau. Through this series, I endeavor to encapsulate and communicate that immersive experience, inviting the viewer to engage with the aesthetic complexities and latent order within the discarded.